Sunday, 15 January 2012

Akai Miniak

For quite a while I have been "cheating" with digital Alesis Micron synths live. The synth engine is very flexible, I can have a HP and LP filter in series Korg MS-20 style, it can sound unusually analogue:ish, and above all: It can sound really, REALLY mean. And it's affordable and easily available if one gets stolen backstage.

However, the Micron has some drawbacks. The volume knob must be the worst placed in universe. I have to duct tape it, or else surprises will happen. And the sliders and bend wheel are awkwardly placed. After ten years or so Akai have repackaged the Micron to the "Miniak", and done most things right. Great feeling rubbery backlit bend and mod wheels, and very smooth action X, Y and Z knobs makes playing easier. Overall it feels and looks more "quality", and is slightly bigger and heavier. It's amazing Alesis old synth engine still excels today without any alterations. But the D/A converters are much improved so the Miniak actually sounds noticably better. And best of all. It costs almost like a VST plugin at the german webshops. €299, which is like 2600 sek at the moment. This must be a new world record in "bang for the buck". You even get a Gooseneck microphone for the vocoder.

Apart from some powerful bassdrums, the factory programs are not that impressive. But it's surprisingly easy to wade through the myriad of parameters with the keyboard shortcuts to parameter groups. If you know subtractive synthesis you don't need a computer to fairly quickly program this from the front panel. Still no aftertouch though. That's a shame. Another drawback is the visibility of the very blue on blue display. Yellow light would have looked nicer and been more readable. I strongly recommend Akai Miniak to anyone that wants an unusually powerful hardware synth with much more bite than contemporary Korg's and Rolands.

Saturday, 24 December 2011

Monday, 8 August 2011

WIWA the Revolution

When I found this on youtube I didn't believe my ears. Or eyes. It's a cover of Style Of Life's song "Revolution" from 1983. First recorded on the Fostex 4 track portastudio in synthplayer Christer Jonsson's family's garage. I wondered how on earth someone found it?! It was on about 50 demo casettes (remember the compact cassette anyone?) and performed live between 1983 and 1985 at gigs at the Pacific Club and Folkets Hus in Östersund. How on earth could anyone remember this?



Well, it is a quite nice song. But after some googling I found out: The WI in WIWA is none other than Michael Winton, the drummer from Style of Life. Pioneering the very first DDrums btw. The Wiwa website is here: www.wiwa.se

Saturday, 29 January 2011

You got to hear this

The swedish speaker brand QLN was the brainchild of hifi enthusiast Mats Andersen. It was later bought by another company and manufacturing was moved to china. QLN now seems dormant but this speaker is still available from Hifi kit. Mats was probably not involved in the design, but whoever did it got it so right. My opinion is that it's among the best you can buy regardless of price. And they now go for 3500 swedish crowns. (Slightly more than €350 at the moment.) Imagine the best studio monitor you can think of and add a sweeter high end that goes much higher, that it spreads the sound much better and goes straight down to 28Hz. This is it. You need an amp that can deliver lot's of current, but any small affordable good one like NAD or Cambridge will deliver. You sure don't need a subwoofer. If you really want to hear what Moulin Noir sounds like, this is the shit. And I'm not paid for saying this :)


QLN

Thursday, 11 November 2010

Synth Afterwork: Hejdå

Yours truly, Hans "Run Level Zero" Åkerman and Captain Daniel "Dupont" Jonasson are battling it out on the last Synth Afterwork. Be there or be square :)